Pulps Pricings Sales Census

Hello all Pulp Magazine Collectors, Readers, Buyers, etc… you know who you are.

My introduction to Pulp Magazines:
When comics priced me out of their range the value/fun just wasn’t there for continuing collecting new issues. I quit at $1.50 or so (1988 and 10,000 plus issues). New issues today go for around $2.00 – $3.00 plus for 16-24 pages, so JUST 4 issues would cost about $8.00 – $12.00 and up. When I started in 1976 they were 30 cents. Golden Age comics are out of most collectors reach now.

During that 1976-’77 period I’d heard about these things called old “Pulp” magazines that “disintegrated in your hands as you read them” from Conan the Barbarian/Savage Sword of Conan, Kull, and their paperbacks (R.E.H. horror series like “Black Canaan” (love “The House in the Oaks” and “People of the Black Coast”), and the Doc Savage B&W Marvel comic magazine (last 2) .

Black Canaan 1978Black Canaan 1978 frontpiece bDOC SAVAGE #7DOC SAVAGE #8

I decided that some day when I had the money that I’d actually own some these ‘things’.

In upstate New York one sees nothing of that type around and I never had a chance to get any Pulps until 2008 when we got our first computer. From there I FOUND eBAY.

My first Pulps were JUNGLE STORIES – April 1943 (Ki-Gor), PHANTOM DETECTIVE, BLACK BOOK DETECTIVE (Black Bat) – Sept. – 1941, then many more after that. For the ‘Black Bat’ I had seen an article in some comics fan magazine (Comics Scene/Comics Preview ???) with the title “The Other Batman,” which made me want to look into this character. I’m not sure if Will Murray wrote it or not as I can’t find the magazine and I’d really like to re-read the article.
In just 8 years my Pulp collection is at around 2,250 – 2,500 issues. From collectors that have been at it since the 1950’s and ’60’s (even the 1970’s) I’m barely a new-born stumbling out of the crib. I won’t even mention collectors like Walker Martin, Nick “Wooda” Carr or Al Tonik.

I’m always fascinated when prices seem to be on the ‘extreme’ side, either high or low (mostly high). Especially for Scarce to Very Rare titles that most collectors probably never see. It’s probably from my comic buying days and Overstreet’s listings of Scarce to Rare items. I’m hoping others will be interested in what certain issues go for also…High grade issues going for low money, beat (Fair) issues going for extremely high (relative) prices, and those in-between.

For terms of “Scarcity” and values I use “Bookery’s Guide to Pulps and Related Magazines“.
Also, for “Pulps” I’ll use the regular Pulp-size issues, Bed-sheets (‘slicks’), and digest. Examples: SCARLET ADVENTURESS, AMAZING DETECTIVE STORIES, FLYING STORIES (the first 14 Macfadden Publications issues were not Pulp-sized but bedsheets like the later FLYING ACES), The POCKET MAGAZINE, SWIFT STORY MAGAZINE will all be treated the same. If it’s in ADVENTURE HOUSE GUIDE To The PULPS or BOOKERY then it’s good for listing.

Adventure House Guide to the Pulps 1Bookery's Guide to Pulps and Related Magazines 463

At times a few extras will be thrown in, like Pulp Premiums (“The Shadow Ring”, “Friends of the Phantom” (Detective) Badge/Pin, Doc Savage Pin), Pulp author autographs, manuscripts, photographs, Original Pulp Paintings. Maybe even a PEP, SILK STOCKINGS, SPICY, but they’d have to be extra special.

If it wasn’t stated, these statics would be for actual sales items, not issues that have been sitting in some dealers inventory for years with high prices. Also I’ll list off only the prolific authors in an issue, and the story title if it’s interesting. I could just copy off the whole The FictionMags Index  contents for an issue but that’s what that site is for and I don’t want to take away from all of Phil Stephensen-Payne’s hard work there. By “prolific authors” I mean if the author’s output takes up 3/4 or more of a FictionMags page then they are prolific. This may include their real name and any number of pseudonyms to reach that amount. An example from a sample BLUE BOOK MAGAZINE issue: Clarence Herbert New (never heard of) has 2 pages worth of stories (his “Free Lances in Diplomacy” series).

Some of the photographs originally may have been too dark, light, uncropped, etc. so I had to ‘tweak’ them as best as I could. I’m not a professional, or anywhere near so with computers, and resort to using “Windows Live Photo Gallery” editing/cropping and “Paint” for re-sizing. If an image is just too blurry or small I’ll have to use the image at Galactic Central, and state that’s where it came from.

In much the same way as I enjoy reading Walker Martin’s postings, because, even at his ‘young’ age, his notes have that “Gosh – wow !” quality about them. At my own age I also have that “By golly, gee-whiz” fanboy feeling when I talk about, write,or receive a new Pulp package in the mail.

So to try out my first Posting, or is it Blog:

PHANTOM DETECTIVE - July 1942

The Phantom Detective (July 1942)

Here’s one I hope someone can explain to me.

PHANTOM  DETECTIVE – July 1942 recently sold on eBay for $182.50 !!!

It’s not even an early 1930’s issue and there’s nothing special author-wise from the FictionMags index.

“Condition: Very Good”; that’s all there is for the condition.

Not even High Grade.

Authors: “The Medieval Murders” by Robert Wallace (this time really by Henry Kuttner).

It’s not the first Kuttner has done a Phantom story: “The Sabotage Murders” in PHANTOM DETECTIVE – July 1941. It also contains a short story by J. Lane Linklater (pseudonym of Alexander William Watkins).

Bookery says the Sept. 1940 is Scarce, April and Dec. 1942 as Scarcer, and April 1941 as the Scarcest 1940’s issue.

Bookery has $12.00 – $30.00 – $60.00 for this July 1942 issue.

My copy only set me back $5.00 and 29 cents which is why I didn’t understand the $182.50 !!!

ENJOY PULPS – David Lee Smith

Altus Press to Release King Kong Vs. Tarzan

Press release—FOR IMMEDIATE RELEASE

The Ultimate Rumble in the Jungle: Altus Press to Release King Kong Vs. Tarzan

In 1935, King Kong’s creator, Merian C. Cooper, was seeking a vehicle by which to keep his greatest creation alive.

Kong was dead. Skull Island had sunk at the end of Son of Kong. But Cooper was undeterred. Harkening back to a pre-King Kong project when he tried and failed to obtain film rights to Edgar Rice Burroughs’ Tarzan of the Apes, the celebrated filmmaker conceived a technicolor prequel he called Tarzan Vs. King Kong. A prequel to King Kong, it brought the Ape Man to Skull Island to confront the mighty Kong.

Alas for Cooper and the rest of us, he failed to secure the rights to both properties, and so the project perished.

Kong vs. CarnosaurBut it was not forgotten. Periodically, attempts to place those two classic jungle characters in the same story were floated, but nothing ever worked out. Until now.

Altus Press, Edgar Rice Burroughs Inc. and DeVito ArtWorks, LLC, are proud to announce their version of this long-deferred dream project.

King Kong Vs. Tarzan is neither a prequel nor a sequel to any movie, but instead reveals an untold story only hinted at in the published Kong mythology, and never suspected: The incredible tale of the voyage of the tramp steamer Wanderer as she conveyed the chained Eighth Wonder of the World from his Skull Island home to the bright lights of New York City, and to Kong’s eventual downfall.

This is a voyage of over 13,000 miles, during which the aging tramp steamer must circumnavigate the continent of Africa, home of Tarzan of the Apes, yet keep Kong alive, fed and under control.

When the ship is forced to make landfall, Kong escapes his chains, and roams the unfamiliar African jungle, seeking a way home. Summoned by reports of a giant gorilla larger than any ever seen, Tarzan of the Apes investigates this incredible marauder, setting the stage for the greatest battle royale ever recorded. King Kong Vs. the Lord of the Jungle! The Dark Continent isn’t big enough for both of them….

Prolific adventure novelist Will Murray, who recently revived Tarzan in Return to Pal-ul-don, and previously pitted King Kong against pulp superhero Doc Savage in his acclaimed 2013 epic, Skull Island, is the writer of this monumental project.

“The idea came to me one September weekend in 2014,” he says. “It was Edgar Rice Burroughs’ 139th birthday anniversary. Previously Joe DeVito and I had entertained the possibility of sending Tarzan to Skull Island, but the premise didn’t sufficiently appeal to me. Instinctively, I felt the need for a stronger story, so I put the notion aside until that fateful weekend. It hit me then that no one had ever told the story of Kong’s perilous transit across two mighty oceans. Here, I realized, would be an opportunity to unleash King Kong on the Dark Continent, and show him facing new and different challenges—not the least of which would be the legendary Ape Man himself, Tarzan.

“Instead of a sequel or a prequel, we have something new: an interquel, an interlude set within the original King Kong narrative. The beauty of King Kong Vs. Tarzan is it not only the hurls those epic characters against one another, but allows us to include the original cast of characters from the original 1932 novel—Carl Denham, Jack Driscoll and Ann Darrow.”

Cover artist/author Joe DeVito writes: “Well over twenty years ago, when I created my original Skull Island property in words and pictures with the full cooperation of the Cooper Estate, I believe it was the first such detailed prequel/sequel expansion ever of the original King Kong mythos. Ultimately, Skull Island was fused with the Cooper Estate’s original King Kong storyline and King Kong of Skull Island was formed to create the ultimate Kong zeitgeist. In addition to so much more, it is ideal for just these kinds of ‘What if?’ explorations.

“Will and I had a great adventure on a similar endeavor, Doc Savage: Skull Island. This Kong/Tarzan encounter, which draws timeline, details and characters from both the King Kong of Skull Island and Edgar Rice Burroughs’ Tarzan oeuvres, promises to be an adventure yarn of appropriately epic proportions. As Will weaves his tale, I look forward to creating the art that will illustrate the story. Along the way we will continue to exchange exciting ideas and details, particularly as they pertain to King Kong and Skull Island, to craft a final book that seeks to explore the exotic, unexpected twists and turns that such a unique adventure offers.”

Jim Sullos, President of Edgar Rice Burroughs, Inc., says of the project, “When Will and Joe first approached me at the 2015 Dum Dum Meeting about a King Kong vs. Tarzan novel, my first instinct was that these two should eventually become fast friends. I didn’t know that’s exactly what Will had in mind, so I was all for it. Two literary legends finally meeting. This tale will be both robust and historic.”

Publisher Matt Moring adds, “This historic epic is a saga that Altus Press is pleased to be able to publish. And it’s none too soon: after all, this story’s a scant 80 years in the making!”

King Kong Vs. Tarzan is scheduled for a Summer, 2016 release, timed to coincide with the promising and much-anticipated new Warner Bros. Legend of Tarzan film, and will be issued in trade paperback, ebook and hardcover editions.


 

www.adventuresinbronze.com

www.kongskullisland.com

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About DeVito ArtWorks, LLC

DeVito ArtWorks, LLC, is the home of King Kong of Skull Island, which encompasses both the original King Kong story of Merian C. Cooper’s King Kong and its seamless prequel and sequel expansion in Kong of Skull Island through fully copyrighted words and pictures. King Kong of Skull Island, is the complete King Kong-Skull Island origin property, uniquely endorsed with the name of Kong’s creator, Merian C. Cooper, and exclusively authorized by his family’s estate.

About Edgar Rice Burroughs, Inc.

Founded in 1923 by Edgar Rice Burroughs, as one of the first authors to incorporate himself, Edgar Rice Burroughs, Inc., holds numerous trademarks and the rights to all literary works of the author still protected by copyright, including stories of Tarzan of the Apes and John Carter of Mars. The company has overseen every adaptation of his literary works in film, television, radio, publishing, theatrical stage productions, licensing and merchandising. The company is still a very active enterprise and manages and licenses the vast archive of Mr. Burroughs’ literary works, fictional characters and corresponding artworks that have grown for over a century. The company continues to be owned by the Burroughs family and remains headquartered in Tarzana, California, the town named after the Tarzana Ranch Mr. Burroughs purchased there in 1918 which led to the town’s future development.

About Altus Press

Altus Press is the world’s largest publisher of pulp fiction. In addition, for several years, Altus Press has published licensed material featuring classic characters such as Doc Savage, Tarzan, and The Shadow for new stories. Altus Press is also the primary exclusive licensee of the vast intellectual property holdings of Popular Publications, Inc., and The Frank A. Munsey Company, comprising an estimated 30,000 individual pulp stories from the 1920s-70s.